A practical guide from Nick Landis Mastering covering everything you need to send before a mastering session — file formats, headroom, master bus processing, how to communicate intent, and the project information that goes with your masters.
For a long time, louder felt like the goal. If your track hit harder than the next one, it grabbed the listener's attention. That mindset made sense when playback systems were inconsistent and volume was a competitive advantage. That’s no longer the world we’re releasing music into.
Today, louder doesn’t mean what it used to. And in many cases, pushing level too far actually works against the music.
SINCE THE 1990's AND THE ADVENT OF BROAD DISTRIBUTION OF DIGITAL AUDIO, POPULAR MUSIC HAS STEADILY BEEN CREEPING LOUDER AND LOUDER. DIGITAL AUDIO MUST BE COMPRESSED
AFTER PEAK AMPLITUDE IS REACHED (AT 0DBFS) TO BECOME LOUDER. HAVE YOU EVER RECEIVED AN EMAIL OR TEXT MESSAGE THAT LOOKS LIKE THIS? It's just a bit obnoxious, isn't it?