Originally published in the October 2023 issue of Rock and Blues International Magazine (pg. 46-47) as part of the Conversations With The Professionals series.
Conversations With The Professionals
by John in Houston
Originally published in the October 2023 issue of Rock and Blues International Magazine (pg. 46-47) as part of the Conversations With The Professionals series.
by John in Houston
It's finally time to take your music to the next level and get it mastered. But before you do, there are a few critical mixing mistakes you need to make sure you didn't make. These mistakes can easily be made by both beginner and experienced engineers and can severely impact your final record if left unchecked. Make sure you read this before you hit send!
In part I of this article I left out one exclusive right under Copyright law. . . on purpose of course. It is Digital Audio Transmission.
Basically referring to the new online & Satellite transmission of recordings, specifically, STREAMING (streaming audio, subscription-based entities). Examples: Pandora Radio, Sirius/XM, Spotify, etc. . .
Before I continue, I wanted to mention briefly that I was just recently asked by a reader of this article of when should a writer expect to be paid his/her royalties. The music publishing industry works on a quarterly basis when it comes to getting paid. So for all royalties generated by the use of the song, the music publishers will receive royalty payments every quarter.
So lets chat more in detail about how and from what does the song make money from. How does the songwriter make; hmmm.....what’s that word again....ah yes, ROYALTY!!
In my years as a music publisher I’ve had the honor of working with hit-songwriters to beginning songwriters, singer-songwriters and musician-songwriters. Many of them have shared with me their journey and stories of dealing with music publishers, recording artists, record label executives, and their statements of mis-information and even worse. . . stories of unpaid royalties.
We just pressed our first CDs that feature a QR code on the packaging. When the artist, songwriter Tonya Tyner, handed in her artwork, I didn't even know what the black and white square on the back of the digipak was. Now it seems like I am seeing them everywhere. When she told me that it was readable by smart phones and that you could have it link to a variety of functions, I thought it sounded like a great idea.