Roland ran a promotion asking users to send in their stories using their equipment. This submission by Mark Warr mentioned me directly. This article was original published on the Roland & Me blog. They do mention they edit the stories for format and clarity.

There are lots of things to consider when planning to release your music on vinyl. Among these things to consider is where the split between the A-side and B-side is. In order to figure that out, you'll need to know some basic information about your album like the length of the songs and how many of them there are. In addition to that, you will need to consider other things like what size record you'll be pressing and how much audio can fit on that size record.

The Austin Chronicle's music writer, Dan Kois, recently visited ACC's Music Business Performance Technology department. He was impressed by what he saw and wrote about it in an article published in the Features section of the publication. In that article, ACC is celebrated as the unlikely place for a seriously world-class recording studio. Here are some highlights:

I'm very excited to announce my first GRAMMY® Nominated Album mastered here at Nick Landis Mastering. You'll find FYC information and complete credits to everyone involved in the project below.

December 10, 2004, is the day I first met and worked with Jerry Tubb, and it is one of the days that changed my life forever. We were mastering an album called Shue's Cafe by Kris Kimura and this picture was taken during that session. The very next summer, I would be Terra Nova's first intern and quickly became a permanent part of the team.

Santiago Jiménez, Jr. is seen as a standard bearer of deep conjunto tradition and his latest album, "El Chief", is no exception. This record is a collection of his father's original songs and Conjunto standards produced by Adam Ahrens at Magnolia Recording Studio, released by Bull Calf Records, and mastered by Nick Landis. This recording is sparse and traditional featuring voice accompanied by accordion and bajo sexto all acoustically recorded.

Starting in the new 2020 year prize cycle, the Pulitzer Prize Board will award a new Pulitzer Prize for excellence in Audio Journalism. The new prize will be awarded for "for a distinguished example of audio journalism that serves the public interest, characterized by revelatory reporting and illuminating storytelling." Journalists in the United States will be eligible to enter if their publication regularly publishes stories in audio format.